The program was structured into three thematic sections, each focusing on an aspect of the Holy Spirit.
Movement 1 - The Holy Spirit a Companion
The next piece saw all the musicians performing, with an arrangement of the hymn tune "By Thou My Vision" entitled "Thy Vision, Our Sight," arranged by Aric Vyhmeister. The choir sang five original verses penned by Rebecca Brothers. This piece was a telling of humanity's need for Divinity's gift of sight in this dark world.
Playing on the theme of sight, the next piece featured Forest Lake Academy's Contabilé singing the hauntingly beautiful acapella piece "Light Everlasting" by Olaf Christianson.
The brass and percussion joined Linda van Niekerk on organ, performing an energetic and exciting piece titled "Veni Creator Spiritus" by Robert Parker. The act of creation is one of joy, and this was strongly and enthusiastically conveyed by the brass and organ.
Movement 2 - The Holy Spirit a Comforter
Following the Rutter piece was and continuing in the same vein, the female voices of the chorus, horn, and clarinet under the baton of Leon Hauck presented a musical prayer, thanking God for the protection He affords His flock. The piece, a setting of the hymn "Savior, Like a Shepherd," also featured newly written verses by Rebecca Brothers.
Having musically established in this section the protection afforded us, and the blessings given to us, by God through His Sprit, the choir, horn, and oboe then musically posed the question, 'What then shall we give to God in return?' This was the context of the next piece, "Offertory," by John Ness Beck. The piece was orchestrated by Aric Vyhmeister and directed by Leon Hauck.
Movement 3 - The Holy Spirit a Blessing
The penultimate piece on the program, "His Voice as the Sound" by Mack Wilberg, completed the thought that was begun in "A Still, Small Voice." After the tempestuous experience on the mountain, Elijah then experienced the Spirit of God how God prefers it: quietly, sweetly, gently. Wilberg arrangement beautifully captured the gentle resonance of Gods voice. This piece concluded the musical theme first heard in "Overture Spiritus."
The final work on the program was Mack Wilberg's "Come, Thou Fount of Every Blessing." Featuring full chorus, full orchestra, and organ, the title work of the program began softly and continued to build into a thunderous ending of uncontainable musical enthusiasm and excitement. The Spirit was present in earnest and the audience felt this, exclaiming for joy even before the final musical chord had finished. Truly, it was an afternoon in which Heaven bent a little closer to Earth and sang with us.
In his thirty-third year of teaching, Mark Becker came to Forest Lake Academy eight years ago. A 1977 graduate of Union College, he completed a Masters of Music program at Boise State University in 1991. Becker’s professional experiences include music teacher at Mile High Academy (Denver, CO), Gem State Academy (Caldwell, ID), and Andrews Academy (Berrien Springs, MI) and Minister of Music at Denver First Seventh-day Adventist Church (Denver, CO) and Zion United Church of Christ (Baroda, MI)
Leon Hauck brings with him 40 years of music performance and directing. He was the choir director at the Denver First Seventh-day Adventist Church and is currently the director of Advent Brass and Restoration, a vocal octet. He studied piano under Virginia Gene Rittenhouse for several years, and at the age of 17 placed 1st in the New England Piano Teachers Association competition. He is an active trombone player, having performed with numerous university groups, as well as an active singer with Restoration.
The "Fount of Blessing" concert will feature works by several established composers, as well as premier original concert works written locally. The blend of music will provide an exciting evening for all present, and provide a unique opportunity to hear the works of these masters of music composition.
Mack Wilberg is a composer, arranger, conductor, choral clinician and the current music director of the Mormon Tabernacle Choir. His compositions and arrangements are performed and recorded by choral organizations throughout the world. In addition to the many compositions he has written for the Mormon Tabernacle Choir, his works have been performed by such artists as Renée Fleming, Frederica von Stade, Bryn Terfel, the King’s Singers, Audra McDonald, David Archuleta, Natalie Cole, Brian Stokes Mitchell and narrators Walter Cronkite and Claire Bloom.
- His Voice as the Sound
- Come, Thou Fount of Every Blessing
John Rutter is a conductor, record producer, and prolific composer of primarily choral works. Some of his best known and internationally acclaimed works include "Gloria", "Requiem", and "Magnificat". In 1981, Rutter founded his own choir, the Cambridge Singers, which he conducts and with which he has made many recordings of sacred choral repertoire (including his own works), particularly under his own label Collegium Records. He resides at Duxford in Cambridgeshire and frequently conducts many choirs and orchestras around the world.
- The Lord is my Shepherd
Olaf C. Christiansen - professor of music at St. Olaf College, respected composer and arranger of sacred song, eminent clinician, internationally acclaimed conductor of the St. Olaf Choir - was a giant in the world of choral music. He taught conducting and voice at Oberlin Conservatory, founded the A Cappella Choir there, the Elizabethan Singers, and the Oratorio Society. Throughout the years his goal was to present sacred music sung beautifully, without distraction, so the listener would be sensitized to the Holy Spirit's message.
- Light Everlasting
John Ness Beck
John Ness Beck was a composer and arranger of choral music. Beck was a conductor and arranger of international renown. His works are highly celebrated and performed by high school, college, church, community, and professional choirs across the globe today. His reputation as a composer and his experience as a choral director led to an increasing demand for appearances as guest conductor and lecturer at musical clinics and festivals throughout the country. He was best known for his very popular and accessible settings of traditional Sacred music.
Robert W. Parker is a prizewinning, critically acclaimed composer and performer, who has been called "a modern-day Vaughn Williams" by distinguished composers and "a delight" by the press from Connecticut to California. His compositions have been heard in churches, on concert stages, and in arts festivals all around the world. He has performed for Presidential inaugurations, appeared on stages throughout Europe, the Caribbean, and Japan, and has been seen (and heard) on both national and international television.
- Veni Creator Spiritus
Aric Vyhmeister studied piano at Walla Walla University under Dr. Leonard Richter, performing extensively as a collaborative recitalist. A frequent chamber performer, he served four years as principal accompanist for Walla Walla University's choral ensembles, leading to performances across the West Coast including a concert at the Cathedral of Christ the Light near San Francisco. He began studying theory and composition under the guidance of Dr. Lyn Ritz, premiering multiple works under the baton of Professor Brandon Beck. While in attendance he studied organ under Dr. Kraig Scott and horn under Dean Kravig while playing several seasons with the Walla Walla Symphony, and is a former student of Carolyn Blice.
- Overture Spiritus
- Thy Vision, Our Sight
- Thy Pleasant Pastures
- A Still, Small Voice
In the orchestra for this performance are members of Advent Brass from Markham Woods Church, students from Forest Lake Academy string and wind ensembles, members of the First United Methodist of Orlando orchestra, Kress Memorial Church, the Sarasota Orchestra, and friends from the Orlando community and surrounding areas.
The choir is composed of Contabilé from Forest Lake Academy, members of the Men of Markham Woods Mens Chorus, the vocal octet Restoration, members from the Forest Lake Church Choir, and numerous friends from the Orlando community and surrounding areas.