The titles of the programs' songs can be read in concert order to form this verse:
"Glory to God for the beauty of the earth!
Raise your voices to the Lamb on the throne!
O God beyond all praising, how great Thou art!
You raise us up a mighty fortress.
Until then, ‘the day God calls me home,’
guide us, O Thou great Jehovah!"
Part 1 - Rejoice in Christ, Our Creator!
Following that, it was John Rutter's "For the Beauty of the Earth," a beautiful, light piece. Finally, the section finished with an original work by Rolf Lovland featuring soprano solo and ending in a grand way.
Part 2 - Rejoice in Christ, Our Redeemer!
Following that, an excerpt from Tchaikovsky's "Manfred Symphony" was performed by the orchestra, a stark contrast to the previous work. This provided a musical expression of the anguish that sin introduces.
Then to show the effect Christ our Redeemer brings to chaos and loss, the musicians sang "O God Beyond all Praising", an arrangement also by Dan Forrest. A lush and rich setting, the piece was as a musical balm.
Part 3 - Rejoice in Christ, Our Savior!
This was followed by an original arrangement of "You Raise Me Up," featuring the men of the choir with orchestra. A wonderful setting, it began quiet and ended with the reverberating, triumphant call we sing to Christ, "You raise me up!"
Finally, this section ended with another Dan Forrest arrangement--A Mighty Fortress. Having lost none of it's punch since originally penned by Martin Luther, Forrest kicked it up a notch. Through thunderous organ, orchestra and voice, the piece reminded all present that Christ's kingdom is forever!
Part 4 - Rejoice in Christ, Our All!
The last part of the program wrapped up the overall theme: Rejoice in Christ, our All! The section started with an arrangement of Stuart Hamblen's "Until Then." Building quietly to a grand finish, the words sung imparted an uplifting message: "This troubled world is not my final home."
Finally, the program ended with an original arrangement by Mack Wilberg of "Guide Us, O Thou Great Jehovah." The piece truly pulled out all the stops, featuring not only full choir, orchestra, and organ, but also handbells played by the choir members. The last line of the piece summed up the program nicely: "Songs of glory unto Thee [Christ]."
Bill served the First United Methodist Church of Orlando for 25 years as Director of Music and Worship Arts. There he administered a program of 14 ensembles and annually directed two concerts with full orchestra. Prior to Orlando, Bill held similar positions with churches in Fort Myers, FL; Wood River, IL; and Sioux Falls, SD. He holds degrees from Millikin University (BME) and the University of Illinois (MM). Previously, Bill served The Fellowship of United Methodists in Music and Worship Arts as national president and vice-president, as well as president of the Florida chapter.
Leon Hauck brings with him 40 years of music performance and directing. He was the choir director at the Denver First Seventh-day Adventist Church for several years. He is also the director of Restoration, a vocal octet. He studied piano under Virginia Gene Rittenhouse for several years, and at the age of 17 placed first in the New England Piano Teachers Association competition. He is an active trombone player with the Markham Brass, as well as an active singer with Restoration.
Dan Forrest has been described as having "an undoubted gift for writing beautiful music….that is truly magical" (NY Concert Review), with works hailed as "magnificent, very cleverly constructed sound sculpture" (Classical Voice), and “superb writing…full of spine-tingling moments” (Salt Lake Tribune). In the last decade, Dan’s music has become well established in the repertoire of choirs in the U.S. and abroad. Dan’s music has received dozens of awards and distinctions, with premieres in major venues around the world. Dan is active as a composer, educator, and pianist.
- To the Lamb on the Throne
- O God Beyond All Praising
- A Mighty Fortress is Our God
Mack Wilberg is a composer, arranger, conductor, choral clinician and the current music director of the Mormon Tabernacle Choir. His compositions and arrangements are performed and recorded by choral organizations throughout the world. In addition to the many compositions he has written for the Mormon Tabernacle Choir, his works have been performed by such artists as Renée Fleming, Frederica von Stade, Bryn Terfel, the King’s Singers, narrators Walter Cronkite and Claire Bloom.
- Guide Us, O Though Great Jehovah
John Rutter is a conductor, record producer, and prolific composer of primarily choral works. Some of his best known and internationally acclaimed works include "Gloria", "Requiem", and "Magnificat". In 1981, Rutter founded his own choir, the Cambridge Singers, which he conducts and with which he has made many recordings of sacred choral repertoire (including his own works), particularly under his own label Collegium Records. He resides at Duxford in Cambridgeshire and frequently conducts many choirs and orchestras around the world.
- For the Beauty of the Earth
Rolf Løvland's first brush with composing came at the early age of nine when he formed his first band. From then on, and throughout his youth, music came to be his constant companion and focus in life. He later studied music at the Music Conservatory in Kristiansand – and continued his Masters Degree studies in music at the Norwegian Institute of Music in Oslo. Rolf earned himself a Norwegian Grammy Award and the reputation as Norway’s most successful popular songwriter, and has gone on to international acclaim as a lyricist and composer.
- Raise Your Voices
- You Raise Me Up
Pyotr Ilyich Tchaikovsky
"Inspiration is a guest that does not willingly visit the lazy." A fitting quote from such a prolific composer. Tchaikovsky's collective body of work constitutes 169 pieces, including symphonies, operas, ballets, concertos, cantatas and songs. Among his most famed late works are the ballets The Sleeping Beauty (1890) and The Nutcracker (1892).
- Manfred Symphony, Op. 58- I. Andante [Excerpt]
Rimsky works have many religious, liturgical, oriental and folk themes incorporated into his various styles of music. Rimsky explored with harmonies, rhythms and was brave enough to cut off from total westernization while cleverly incorporating its styles with traditional, or as he called it, ‘nationalistic’ music. Often he would take a commonly sung hymn of the time and re-work it, building upon the original work's base tune and exploring new ideas with it, incorporating his own unique flavor and style.
Carl Stuart Hamblen was the son of a traveling Methodist preacher, and founder of the Evangelical Methodist Church. In 1931, and for 21 years thereafter, Stuart stayed on top of the popularity charts on the West Coast with his radio programs: "Covered Wagon Jubilee"; "Stuart Hamblen and His Lucky Stars"; and the "Cowboy Church of the Air". During this time he converted to Christianity, and wrote songs such as "Until Then."
- Until Then
The Choir - An Exciting Partnership
The choir this year was composed of members from the Markham Woods Seventh-day Adventist church in Longwood, First Methodist Church of Orlando, Spring Meadows Seventh-day Adventist church, Forest Lake Seventh-day Adventist Church Choir, members of the Men of Markham Woods men's chorus, the vocal octet Restoration, several out of state choir performers, and numerous friends from the Orlando community and surrounding areas.
The concert provided a unique and exciting opportunity to blend the choral talents of many congregations, and the result produced amazing experiences for both choir singers and audiences alike.
The Instrumentalists - An Incredible Experience
The concert this year provided a once-off exciting experience for the instrumentalists. Often an orchestra is composed of an established group. Here was blended several smaller groups, including members of the Orlando Philharmonic, the Markham Woods Brass, Sabbath Strings, and students and faculty from Forest Lake Academy, Lake Highland Academy, and numerous friends from the Orlando community and surrounding areas.
Together with full pipe organ and handbells, the instruments for this years concert delivered a spectacular experience for performers and audience alike.